The Art of Collaboration

By A.J. Llewellyn

My fourth book to be released with Amber Quill Press is The House of Driscoll (Book 1), coming out on June 6. It's a spanky-new collaboration with the uber-talented (and mega-sexy too!) D.J. Manly.
My work with D.J. has been the highlight of my writing career.
People often ask how D.J. and I write together when he lives in Canada and I live in Los Angeles.
It's easy thanks to the Internet, phone calls and that hard-to-find symbiosis that is any artist's dream.
Ever since he first approached me with his idea of a collaboration on a contemporary M/M book Black Point, which became the first in a series of best-selling books, this has been a magical experience.
I mean this in many ways. After writing a few books together, D.J, asked me how I felt about a vampire book and I was excited to collaborate on yet another series.
Blood Eclipse surprised us both, I think. We began to realize more and more how much we like working together. From the start, D.J. and I have found we have our differences as well as our complementary styles and the lines have started to blur--deliciously so--to the extent that our readers often can't tell who wrote what.
There was even a funny incident where D.J. and I got confused over who wrote a certain sex scene (he did) but still, it meant the world to me that our styles mesh so well that even we get lost.
It was a thrill to me when I was invited to submit to AQP and after my first release with Deeper Blue, asked D.J. to co-write Fawnskin with me. I hoped he would not find the book too dark since it revolves around a man hired to sit with the dead in a funeral home. I was ecstatic when he loved it. I like to think we are both versatile.
I do know we are both extremely dirty-minded. I think our readers love that about us.
D.J. was the one who came up with the entire concept for The House of Driscoll, our latest creation and I felt a good vibe...the same one I always feel when we start to work.
Whoever starts the work usually writes a few chapters and emails the other. The other one reads it and starts to work. As our series have progressed, we have stopped writing only from one character's POV. We overlap, interject, add, subtract, you name it.
I think the key is absolute trust and a total lack of ego. I think we share the same viewpoint. The story and characters must feel true, regardless of genre. I would say this is essential in any collaboration and I've learned over 17 books (and counting) that D.J. and I just 'click' creatively.
I don't think I am telling tales out of school by saying this but I never like the names D.J. picks for my characters.
Marcus became Matt in the Black Point series and I think our readers love him. And his husband Thomas.
In The House of Driscoll, the lead character Max Driscoll is a vampire who has been on this earth since the time of the French Revolution and has been summoned to modern day New York City to destroy his former lover turned nemesis, the vampire Galien.
D.J.'s original name for this character was Graham, of course, I hated it. With a bit of research, I discovered the name Galien, which was fitting for a man during the French Revolution.
Together, we've cooked up what I think is a damned fine story.
And it is only the beginning since it's the first in our new series.
I think D.J. and I are both visual writers. We love the power of story and we both love to write.
The symbiosis I was talking about was there from the moment he pitched the idea to me.
I love Max, Blue, Galien...all the characters who define The House of Driscoll. We hope our readers do, too.
To check out more about The House of Driscoll, please visit the Amber Allure site:
http://www.amberquill.com/amberallure/AA_upcoming.html


Aloha oe,

A.J.

Playing Nicely Together

By A.J.Llewellyn

One of the questions I'm often asked by readers is how does a collaboration work between two writers living far apart?

I have been extraordinarily lucky that D.J. Manly first contacted me 19 months ago and asked me if I wanted to collaborate. I'd always seen myself as a lone wolf - and so did D.J. - but he had an idea and sent me the first few chapters via email. I loved it.

I've said this before so I am not telling tales out of school, but D.J.'s idea of two romance writers meeting over the Internet and falling in love just grabbed me.

He wrote the chapters from Thomas' point of view and his growing feelings for Marcus.

As I read the pages, I realized I'd be writing from Marcus' POV.

I emailed D.J. saying I couldn't get into the name Marcus, would he mind if I changed it to Matt.

He didn't mind at all and I jumped all over the story that became Black Point. The funny thing is, I've sat in rooms with people and had difficult collaborations, but not this time.

A friend of mine is an author and approached me to write a book with her. She had a wonderful idea but presented me with sloppily-written pages and inserted A.J. - SEX SCENE NEEDED HERE.

I don't write like that. Neither does D.J. Thank God.

The sex scenes must be organic to the work, I think.

She also freaked when I did write the first sex scene - a blow job. She thought it was dirty.

I knew right away we couldn't work together. It saved our friendship and our sanity.

To write in any genre, it's important that you both have a love for it. If one author is squeamish about explicit sex, you are doomed to failure.

Trust me on that.

If one of you has trouble writing and the other keeps pulling the wagon, ditto, as Patrick Swayze was fond of saying in Ghost.

Oh, D.J. and I didn't always agree, but it was one point we argued and D.J. turned out to be right. I think the success of any collaboration lies in trust.

At some point, one of you is gonna jump the shark. So somebody has to be unafraid to paddle the canoe back to the right pool of water. Sometimes it's me, sometimes it's D.J. To be honest, it doesn't happen much with us, because we seem to be so in tune.

I trust D.J.'s heart and his mind. He loves the characters we have created as much as I do. As we wrap up the final work on our 15th book together, Blood Eclipse 4: Apocalypse, I find it hard to do anything except think about Rory, Carden, Dennis and Thiago.

We have become so comfortable writing together now, our styles blend so well even our editor can't tell who wrote what. Neither can many of our readers.

I think this is the sign of a successful series. I've had conversations with other authors about their collaborations and from what I see I am lucky. Some collaborations become volatile and painful. I feel especially lucky because I now also have a fantastic partnership with Stephani Hecht.

We have the same wonderful discussions, nutting out ideas, leaving each other to float and dream and when sharks approach, we yell, "Ahoy!"

As D.J. and I wind up work on Apocalypse, I feel a sense of sadness saying goodbye to our characters. This is our last book in this particular series but D.J. and I have many more lined up. It's just so hard to say goodbye.

I think this is a good sign though, that the characters cling to me, and I to them. We play so nicely together.

Aloha oe,

A.J.

For the Love of Sean

By A.J. Llewellyn

I love children and the nieces, nephews and assorted godchildren I have in my life are very important to me. As an author, they have inspired both Baby Kimo and the twins Kamaha and Keli'i in the Phantom Lover books (13 and counting). My niece is the model for Baby Daphne in the Black Point books I co-author with D.J. Manly.
When D.J. first suggested that our red-hot Black Point husbands Thomas and Matt should have their own child, I was all over the idea. However, I felt there should be a tug of war with the surrogate mom, an idea D.J. ran with.
I've seen this situation happen over and over again with friends where surrogate mothers and even sperm-donor dads have fought for custody rights.
Watching the dreadful circus that unfolded in Rio de Janeiro this morning with the long custody battle over 9-year old Sean Goldman, I realized how lucky Kimo and Lopaka were that they managed to get custody of their son Baby Kimo pretty easily. But that's fiction.
If you haven't been following this case the bare facts are this: A Brazilian woman, Bruna Bianchi married New Jersey resident David Goldman. They had a son, Sean. When Sean was four, she took an alleged two-week vacation to Brazil with her son.
And never came back.
She divorced Goldman, married another man and fought, with her powerful attorney husband Joao Paulo Lins e Silva, any efforts her former husband made to even see his son.
For five years, David Goldman has petitioned the courts for visitation and for a custody order to be enforced. And then Bianchi died in childbirth.
Up until the last month, this drama has played out privately. Like many custody battles, the details are shocking and cruel.
Both Bianchi's mother and her widower fought Sean's return to his father until they ran out of options this week.
What disturbed me today was how some newshounds supported the family that abducted Sean Goldman and kept his father from even seeing him for 5 long years.
In my Phantom Lover books. Kimo has magical powers. He was able to fight wrong with the help of his ancestors.
David Goldman isn't so lucky.
It isn't the first time a high-profile US child abduction case has hit international headlines (remember Elian Gonzalez?) but what disturbed me in this emotional tug-of-war was how the Brazilian family who profess to love Sean Goldman behaved this morning.
Forced by the courts to return Sean to his father, Lins e Silva, who has been able to use his legal and financial clout to prevent David Goldman from having contact with his son - in spite of several Brazilian court rulings in Goldman's favor - chose to parade the child he claims to love through the streets, the boy crying and frightened all the way to the US Embassy.
I've read all the reports and watched extensive coverage of this case and it is clear that if Joao Paulo Lins e Silva truly loved his dead wife's little boy, he would never have put him through such public trauma.
He was given much more private means of returning Sean. In the end, it is apparent that his motives are not for the love of Sean, but for the love of winning.
In spite all the hoopla, New Jersey rep Chris Smith who has helped David Goldman in his quest for justice since the beginning and was present this morning when they were reunited, said that once Sean was over his terror of the crowds, he and his dad were thrilled to be together.
"They were calm, smiling, they started talking about basketball."
Smith was also present the first and last time David Goldman got to see his son in February and said that visit too, showed the father and son adored each other.
I am certain that once the dust settles and Sean is comfortable and safe, David Goldman will allow Sean's maternal grandma to see the boy again.
All of this heartache - on both sides - could have been avoided if the child hadn't been stolen in the first place.
I feel strongly that David Goldman should not have just forgotten his kid or given up on him as some in the media suggest. He loves his son and the photos of them together from five years ago show a loving bond.
This is a story of love and I for one, am impressed that David Goldman never gave up on his kid like so many dads do. He is no deadbeat. He hasn't moved on and fathered a bunch of other kids by a bunch of other women.
He is a man who loves his son.
I hope they get to cement that bond in peace and without further interference from the family in Brazil. I heard this morning that they don't plan to contest this arrangement anymore.
Perhaps they have finally woken up and realized their only resource is to make peace with the man they denied for so long.
I am not sure how merry this Christmas will be for either side, but I think Sean's return to the father who loves him devotedly might just mean that for him, it is a very happy day indeed.
What do you think?
Aloha oe,

A.J.